We caught up with Berlin-based artist douniah, who just contributed to Rhythm Section International’s special anniversary compilation, 10 Years of Rhythm Section International. Founded in 2014 by Bradley Zero in South East London, this eclectic label has become a cornerstone of the London music scene, celebrating a decade of diverse musical influence.
To mark this milestone, the label presents a three-part compilation titled PAST, RE-IMAGINED AND FUTURE. It captures their journey with 30 tracks across 6 discs: the first two discs offer nostalgic hits from each year of their releases, showcasing hidden gems from their extensive catalogue. For discs three and four, Rhythm Section invited its artists to reinterpret tracks from the back catalogue. Contributions from the likes of Ruf Dug, Session Victim, and Private Joy bring fresh perspectives to beloved classics.
The final two discs present all new tracks for 2024, continuing the tradition of highlighting emerging talent. Standouts include new works by Roni, Gayance, douniah, and Dhanya, along with a playful offering from former label mate Jordan Rakei under his alias Frank Liin. With a range that shifts from high-energy dance tracks (Bamao Yende & Low Jack) to soothing Sunday vibes (Cousin Kula), Rhythm Section encapsulates a unique blend of genres that transcends easy classification. Embodying the spirit of the post-tribal musical generation, Rhythm Section is alternative, soulful, and deeply heartfelt.
Can you tell us about your journey in music from starting in Hamburg to now being based in Berlin? What sparked your passion for music at such a young age?
It all began with my mother’s cassette collection. I grew up listening to Gnaoua, Raï, Jazz, and Pop, singing along to every song that filled our living room. Singing soon turned into learning each song by heart, listening to them on repeat. While I’ve always loved singing, my journey into creating my own music truly began with writing—stories, poems, and letters. I started this as a teenager, right after my first encounter with loss. Writing became therapeutic, helping me process my emotions. I poured myself into it, hoping to turn my stories into songs, though I didn’t yet know how. Then my best friend taught me to play guitar, and that’s when I finally started writing songs.
What has it been like collaborating with Dhanya on the 10 Years of Rhythm Section International compilation? How do your individual styles mesh in this project?
Dhanya and I made my last record together, A Lot, Not Too Much. We spent about four years making music together, so our styles blend and flow very naturally at this point. We both love telling stories through our sound—I do it with analogies, and he does it with drums.
You sing in English, German, and Moroccan dialect Darija. How do you decide which language to use in your songs, and what significance do they hold for you?
I grew up listening to music in Tamazight, Darija, English, and German—and I speak three of these languages. I love thinking in proverbs and metaphors, though some sayings simply can’t be translated into English without losing their power and meaning.
Being a part of the Rhythm Section label must hold special significance. What does it mean to you to contribute to their 10th-anniversary compilation?
I’ve always been an RS fan! It’s truly an honor to add Dhanya’s and my sound to their catalog and this incredible!!! Compilation.
The compilation features tracks that honour the legacy of the label. Can you share a personal favourite memory or track from the Rhythm Section archives that resonates with you?
My all time favorite is: The Colors that Rise – Grey Doubt ALBUM! In my opinion a Masterpiece
As someone who has gained recognition as an emerging artist, what advice would you offer to other musicians trying to navigate the industry?
Be patient—take the time to develop your sound. Believe in what you do, and don’t rush; nobody is waiting for you. Organic growth may take time, but it’s always worth it in the end. Always look people in the eye before deciding to work with them. You know what I mean? Numbers don’t define originality—they’re just numbers. Stick to your path, always, and seek advice from the elders, not from those who want to profit off you.
Who are some artists or genres that continue to inspire you as you evolve in your musical career?
Raphael Saadiq, Little Dragon, Jill Scott, Nass El-Ghiwane, Meshell Ndegeocello, Sade, Prince, Bon Iver, A Tribe called quest, Mos Def…the list is long.
How do you feel your music has evolved since you began sharing your stories at the age of 15? What do you hope to achieve in your future projects?
As I progress in this journey, I’m realizing that I need to challenge myself to say the uncomfortable things in order to find peace with the artist I want to be. You know what I mean? Unafraid to speak my truth.
What’s coming up next?
I’m in the process of writing and recording my album with the incredible D’monk, and I couldn’t be more excited for this next sonic chapter in my journey.
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@rhythmsectionhq
10 Years of Rhythm Section International is out now: https://linkin.bio/rhythmsectionhq/
