An Interview! SVEASØN has just unveiled its debut collection, “MØLYBDØMANCY,” at Berlin Fashion Week, and it has taken the fashion world by storm. This collection is not just a showcase of garments; it’s a bold exploration of modern spirituality, divination, and the rituals that unite individuality with community. Drawing inspiration from the ancient art of lead pouring—where molten shapes are imbued with meaning—SVEASØN reinterprets core values like empathy, equality, and freedom through a contemporary lens. Read the interview below!
What sets “MØLYBDØMANCY” apart is its commitment to inclusivity and gender-neutral designs that empower self-expression. Each piece is crafted from deadstock fabrics, GOTS-certified textiles, and sustainable Thermore padding, which seamlessly merges artistry with a dedication to sustainability. Tying-dye patterns mirror the unpredictability of lead pouring, while vibrant hues and metallic accents call for boldness and confidence.
What inspired you to delve into the themes of modern spirituality and rituals for your debut collection “MØLYBDØMANCY”?
The inspiration for MØLYBDØMANCY comes from our fascination with transformation, intuition, and the unseen connections between people.
This collection is an exploration of modern spirituality, inspired by the ancient practice of lead pouring, where molten metal is cast into cold water, forming unpredictable shapes that are then interpreted. This idea of spontaneous creation resonates deeply with my artistic process, influencing not just the garments but also the sculptural elements of the show. The collection exists in dialogue with our sculptures, which act as totems—symbols of fluid identity, self-exploration, and ritualistic transformation.
Could you explain the process behind the ancient art of lead pouring and how it has influenced your designs?
Lead pouring, or Molybdomancy, is a divination practice where molten lead is cast into cold water, creating organic, unpredictable forms that are then interpreted as omens. It’s an act of surrendering to the unknown, allowing meaning to emerge organically. This philosophy is woven throughout my work—the idea that form is not fixed, that garments can transform with the body, and that fashion is an evolving process rather than a static statement. Our sculptural pieces take this even further, embodying the fluidity of this practice in a physical form, bridging the space between fashion, performance, and installation.
How do you redefine values like empathy, equality, and freedom within this collection?
By creating a space—both physical and conceptual—where these values are lived, not just spoken about. Our sculptures act as guardians of this space, standing alongside the performers and garments, reinforcing the idea that identity and self-expression should be free from imposed structures. The clothing itself is adaptive, allowing the wearer to shape their silhouette rather than being confined by a predefined form. Empathy comes through in our approach to inclusivity, designing for all bodies, identities, and movements. We believe that clothing is a tool for self-expression and empowerment.
Your collection features inclusive and gender-neutral designs—what does this mean to you personally and professionally?
For us, gender-neutral design isn’t just about removing labels—it’s about offering freedom on a fundamental level. Personally, it means embracing fluidity in all aspects of life, seeing identity as something ever-evolving rather than fixed. Professionally, it means challenging traditional fashion norms and designing with adaptability at the core. But beyond clothing, this philosophy extends to how we approach art, space, and human interaction.
Our sculptures embody this idea as well—they exist beyond binary definitions, neither male nor female, neither static nor rigid. They stand as symbols of transformation, of breaking away from societal expectations, and of allowing people to interpret and engage with them in their way.
Inclusivity and fluidity are not just aesthetic choices for us—they are deeply rooted in our worldview. We believe in creating spaces where people feel seen, where self-expression is limitless, and where the structures that define identity become more permeable. Through MØLYBDØMANCY, we are not just designing garments and sculptures; we are building an environment that encourages people to move, to explore, and to exist exactly as they are.
Can you elaborate on your choice of materials, particularly the use of deadstock fabrics and GOTS-certified textiles?
Sourcing fabrics for our collections feels like a hunt—a thrilling search for hidden treasures. Since we work primarily with deadstock materials from renowned design houses, we never know what we’ll find. The green fabric in our collection, for example, comes from Moncler, while other materials come from labels based in Hamburg. We’re also supported by Thermore, whose sustainable padding helps us create voluminous, sculptural silhouettes with a responsible approach.
This ever-changing selection of fabrics defines our design process. Instead of working with unlimited resources, we must adapt, rethink, and push our creativity based on what’s available. How much of a fabric exists? Can we make an entire look, or do we have to combine it with something else? These constraints challenge us but also spark new ideas, leading to unexpected pairings and innovative silhouettes. Rather than forcing materials into a predetermined vision, we let them guide us—turning limitations into opportunities and making every piece feel like a rare discovery.
How did you incorporate sustainability into your design process, and what challenges did you face?
Beyond material choices, we designed with longevity in mind—creating garments that can be worn and styled in multiple ways, mirroring the ever-changing nature of our sculptures. One challenge was ensuring that this adaptability didn’t compromise the integrity of the designs. Sculpturally, working with large-scale materials required experimentation, but these limitations often led to unexpected and exciting results.
The tie-dye patterns in your collection are quite striking. What was the creative vision behind that choice?
The organic, fluid nature of tie-dye mirrors the unpredictable formations of lead pouring. No two patterns are the same—just as no two sculptures or garments in the collection are identical. It reinforces the theme of transformation, where each piece carries its unique imprint of the process. This sense of fluidity connects all elements of the show, from the clothing to the performers to the sculptures themselves.
Berlin Fashion Week is a significant platform for designers. What does it mean for you to showcase your work here?
Being part of Berlin Contemporary has been an incredible opportunity to present MØLYBDØMANCY as an immersive experience, not just a runway show. Berlin is a city that embraces experimentation and interdisciplinary work, making it the perfect place for us to merge fashion, sculpture, and performance in a way that challenges conventional presentation formats.
How do you feel your collection was received at Berlin Fashion Week, especially considering it was one of the best performances?
The response has been overwhelming in the best way. We took a bold step by creating a completely different kind of show—one that broke away from the usual fast-paced runway format. Instead of quick looks disappearing after seconds, we wanted every piece to be continuously visible, giving the audience time to truly absorb the details, craftsmanship, and movement of the garments.
At the same time, we wanted to showcase the full potential of our designs—how they transform, layer, and adapt. Through the interaction of performers, sculptures, and clothing, we aimed to push the boundaries of what fashion can be. It was a risk, but we felt that the audience embraced it. The energy in the room, the way people engaged with the pieces, and the feedback we received all made it clear that our message came across. It was incredible to see our vision come to life and be understood on such a deep level.
What message do you hope your audience takes away from viewing “MØLYBDØMANCY”?
That identity, fashion, and art are limitless. We want our audience to feel that self-expression should never be restricted by gender, size, or convention. Clothing should not dictate who you are—it should adapt to you, move with you, and evolve alongside you.
MØLYBDØMANCY is about freedom. The freedom to redefine yourself every day, to wear what feels right in the moment, to step outside of expectations. Our garments are designed to be adjustable, versatile, and fluid—just like the people who wear them. We believe fashion should be an open space, free from limitations, where individuality thrives.
We hope our audience takes away a sense of empowerment—the understanding that they don’t have to fit into any predefined mould. Instead, they can shape their narrative, unrestricted and unapologetic.
In a world that’s continually evolving, how do you see your brand SVEASØN adapting to future fashion trends?
We see the future of SVEASØN as one that remains free and unconfined by traditional fashion cycles. Our approach will continue to mix diverse art forms—whether it’s fashion, sculpture, performance, or even other mediums we haven’t explored yet. We believe that true creativity thrives in freedom, and we’re committed to maintaining that playful, experimental approach to our work.
We want to keep our work fresh and open, not only by adapting to trends but by challenging them. Rather than following what’s expected, we choose to experiment, innovate, and push boundaries. There’s a certain naivety in this—an openness to try new things without overthinking or fearing failure—and we want to preserve that sense of wonder and playfulness as we move forward.
As the world and fashion evolve, we’ll continue to adapt while staying true to the essence of what we do: celebrating individuality, sustainability, and the fluidity of expression. Ultimately, our goal is to remain a space where art and fashion collide, where anything is possible, and where the journey of creation is just as exciting as the outcome.
Finally, what can we expect from SVEASØN in the coming seasons?
In the coming seasons, you can expect even more experimentation and joy in our process. We are constantly pushing the boundaries of what’s possible, and we love the freedom that comes with exploring new concepts and materials. The fun is in trial and error, finding unexpected combinations, and letting the process guide us. We’ll be collaborating with talented artisans, which will allow us to further tap into local resources and craft.
We’re also very excited about our upcoming residency at EKWC (European Ceramic Work Center), which will be a game changer for our sculptural work. It’s a chance to play with new forms and materials and incorporate them into our designs. We’re continuing to experiment, to mix different art forms, and to find new ways to merge fashion with different art forms. And these collaborations—whether with artisans, artists, or other creators—will keep fueling our drive to innovate. It’s all about having fun, trying new things, and staying true to our creative spirit! This is just the start of a much bigger journey.
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Photos by SHIN JEONG HOON
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The collection boasts oversized, layered silhouettes that emphasize adjustability and reversibility, catering to all body types. Standout pieces include a reversible yellow padded jacket, a chic skirt, and tartan dungarees. Reflective trousers and an adjustable jacket bring functionality and fun, while a reversible faux fur and rainproof ensemble showcases comfort blended with technical precision. The whimsical “sculpture feet” shoes with padded layers add a narrative-driven touch to the eclectic offering.
In essence, SVEASØN is not just a brand; it’s a movement spearheaded by designer Svea Beckedorf. With a mission to blend vibrant artistry with sustainable fashion, SVEASØN champions ethical practices, inclusivity, and self-expression. It’s a call for a connected community, transcending gender, language, and social class, and promoting body positivity in every stitch.
We absolutely love this collection, and it stands out as the best performance at Berlin Fashion Week!
Design, Sculpture & Creative Direction @house_of_sveason
Choreography – Tabea Jung @tabeajung_
Scenography – Hanna Lenz @hanna_fruehling
Head Hair & Make-up artist – Ewa Isabella Wendt @ewa.isabella
Music – Victoria Stellpflug @_vici_luise
PR – silk relations @silkrelations
Dancer:
Adele Schneeweiss @adele.schnee
Alexandra Kholkina @sasha.kholkina
Estella Dvorak @est.estla
Lucas Lopes Pereira @lopespereira_lucas
Maria Alegria van Poppel Lubeigt @alegrialubeigt
Naomi Rosa Katthagen @_naomi.rosa_
Nicol Memoli @_minimal_ist__
Roman Carl Christoph Mösslein @roman_moesslein
Shauna Fischer @shaunafischer
Subin Cho @subiincho
Hair & Make-up Team:
Natalia Celej @natalia.celej
Joelle Egberts @joelleegberts_
Angelina Lemoine @_makeuparti.st_
Marie Luise Mathys @maielouie
Vin @vinmua
Thanks to @fashioncouncilgermany @berlinfashionwe @senwienbe
