An interview taken from our new issue THE CLASS OF 2025! Elodie Gervaise, the French-Australian artist with over 4 million streams, is set to release her debut album Exosoul [of Anaïnja] on December 13th via B3SCI Records. This intimate collection explores themes of love, connection, and self-discovery through her alter ego, Anaïnja—a symbol of hope. Beginning her musical career in 2016 with bands like The Galaxy Girls, Elodie transitioned from architecture to music, studying in Paris and later relocating to Berlin. Her new album, a deeply personal exploration of authenticity, emerged from a chaotic yet passionate period in her life.
Tracks like “Swallow Me Whole,” inspired by adventure, and “King of Cups,” reflecting on self-worth, highlight the album’s profound themes. Elodie’s captivating voice and engaging lyricism shine through, ultimately empowering listeners by weaving together memories and personal growth. We spoke to Elodie about her upcoming album and the creation of her alter ego Anaïnja on her journey of self-discovery.
Your debut album, Exosoul [of Anaïnja], has already generated a lot of buzz. What does the title mean to you, and how does it reflect the themes explored in the album?
To me, it’s an idea of expressing straight from the soul, rather than your human experience. By creating the character Anaïnja I realise now that maybe I was trying to call out the soul in an attempt to draw from its truths.
You mention that Exosoul feels warmer than your last EP, Syzygy. Can you elaborate on this shift in sound and emotional tone?
Initially inspired by the electronic scene when moving to Paris and creating Syzygy, I was fortunate enough to be introduced to the neo-soul and jazz realm in Berlin. It seemed more heartfelt and I think informed the direction a lot with this new project.
You describe Anaïnja as a divine, erotic warrior. How did stepping into this alter ego influence the themes and connection to your music?
Haha sounds dramatic, doesn’t it? Can you tell I grew up with a life-sized poster of Wonder Woman on my wall? She granted me unexplored and honest terrain to play in and experiment with. It was a very freeing process as I never planned on releasing the album under my name so I let it all out in an uninhibited way.
You used to be an architect before pursuing music full-time. How has your background in architecture influenced your approach to music and artistry?
I love how architecture impacts us emotionally through spaces and music is the auditory equivalent. Amongst many things, it taught me the importance of details and lighting and how vital each element is in the spaces that we perform.
How has moving from Australia/France to Berlin influenced your creative output?
There’s a beautiful darkness and chaos in Berlin that feeds creativity. It’s been deeply inspiring and liberating living and expressing here, once I managed to find my balance amongst it all.
Could you share some stories and influences for your favourite tracks on the new album?
I’m not sure if I have favourites as each track shares such different stories and sentiments. I’m excited to share the concept for “King of Cups” as I imagine most people would perceive it as a love song but really it’s about a beautiful lesson I was once taught, that all you are searching for in a partner exists within you. You are King if you choose it.
Can you explain the significance of the visual elements in your album, particularly the direction by Adam Munnings? How do these visuals complement your music?
Songs can truly come to life when coupled with the right imagery. I think we’re so accustomed to feeling through the divine pairing of cinema and sound so I love coming to Adam with a finished track and watching how he so perfectly transforms it into film. A true magician. It’s a glorious process that I’m now addicted to and why I’m going back to architecture for a while to make the money I need to fund all the albums and short films I want to make!
You’ve mentioned collaborating with Mucky Beats. What was it like working with him and how did his contributions shape the sound of the album?
It was brilliant working with Mucky as he’s been an artist whose work I’ve admired for years. Sevdaliza has always been a key reference for me and I especially love her vocal treatments. He elevated the album by adding his flavour and a certain freshness.
Your album conveys powerful themes of self-discovery and empowerment. Why are these themes important to you in your journey within the music industry?
Maybe I’m wrong but I feel these are important themes to any 30-year-old trying to make their way in the world and uncover their voice and identity. To me, it’s all about experimentation and developing a deeper understanding of yourself and others through trial, error and adventure.
What do you hope listeners will feel or experience when they listen to Exosoul?
Fearlessness.
Looking ahead, what do you envision for your musical journey after the release of this album?
Hopefully jumping on a European tour next summer – artists who think I’d be a good fit for their show give me a call!
Follow
@elodiegervaise
Photographer Sabrina Pippa @sabrina.pippa
Designer Adelina Zgribut @aedezz
Studio @ramboyaramboya
Exosoul [of Anaïnja] will be released on December 13th via B3SCI Records.
