An interview taken from our new issue THE CLASS OF 2025! Following the release of his latest single “seventeen,” we caught up with EKKSTACY to discuss this striking continuation of the raw alternative rock aesthetic established in last month’s “mr mole.” Both tracks contribute to the sonically rich post-punk landscape that EKKSTACY has been crafting, building upon the bold sound of his self-titled album, which catapulted him into the spotlight, landing him on the cover of GQ Hype and securing spots on Spotify’s Top 10 Debuts chart in both the U.S. and U.K.
“seventeen” embodies cathartic melancholy, with its dynamic production artfully enhancing EKKSTACY’s vulnerable lyrics that reflect on lost love and the haunting remnants of youthful missteps. This release marks a stellar conclusion to a landmark year, firmly positioning EKKSTACY as one of the brightest emerging stars in the alternative music scene. In just 2024, he saw over 300 million streams for his breakout track “i walk this earth all by myself,” embarking on tours worldwide not only as a headliner but also supporting major acts like Blink-182 and, more recently, $uicideboy$ on their GREYDAY tour.
Your latest track “seventeen” has already received significant attention. Can you describe the inspiration behind this song and what it represents for you?
Lately, I’ve been feeling really nostalgic. Maybe I’m unhappy with my life right now, but I’ve been missing being younger a lot lately. That’s what 17 is about.
You mentioned that your previous single “mr mole” marked a new chapter in your career. Can you elaborate on how your sound has evolved since your earlier music?
I used to make all my music in my bedroom. I got bored of that. Mr mole is the first song I made my with my band and recorded in the studio. Everything I release from now on will be done like that.
Your self-titled record has been highly acclaimed, leading to a notable rise in your visibility. How has it felt to transition from bedroom production to working with a band?
My self-titled album didn’t even do that good honestly I don’t like it. I’m really happy to have moved away from the bedroom production. I’m having a lot more fun in the studio with my new producer Andrew Wells.
The track features brighter melodies and punchier delivery compared to your previous work. What changes did you implement in your songwriting and production processes for this album?
I was listening to a lot of emo bands and midwest emo bands. Especially knuckle puck, they were a big inspiration behind my writing on this record. In the previous album, I feel like I didn’t use my voice enough. This record I wanted to sing.
You’ve had a busy year with tours and collaborations. What have been some of the most memorable moments on the road?
The road was crazy this year. From being sober to going on benders I’ve been through a lot. That’s all I can say.
Your collaboration with artists like The Kid LAROI and Trippie Redd is notable. How do you approach collaborations, and what do you hope to achieve through them?
I’ve never reached out to collaborate. It’s always come to me open. I’m not as open to collaboration as I was before.
Can you share any insights on your songwriting process? How did you and your collaborators come together, and what was that creative environment like?
These days me and my guitarist make demos and then bring them into the studio with Andrew. Like most bands do. It used to be a lot different. I feel better now.
Your earlier work was characterised by a raw and brooding sound. How did your experiences over the last year shape the creative direction of your latest music?
My earlier work was different because I was different. I’ve changed a lot, my taste has changed a lot, so my music has changed a lot.
You’ve spoken about struggles with mental health in your music. How does your songwriting offer you an outlet, and what messages do you hope listeners take away from your songs?
Making music doesn’t help me with my problems anymore. It makes me happy, but it’s not therapy like it was when I started.
Your music has been described as having a mix of melancholic and joyful elements. How do you balance these contrasting feelings in your songs?
I think my instrumentals always end up sounding “joyful” because I like fast and energetic sounds. But I always end up writing about my sadness. I think it’s a nice mix.
Looking back at your journey, what are some key milestones that you believe have significantly influenced your career?
I think my struggles with my alcohol and all the touring have taken a toll on me but shaped me into who I am. Going on tour with $uicideboy$ was huge for me. Going on tour with Blink-182 was even crazier. I’ve done a lot, it’s kind of hard to remember everything.
What advice would you offer to aspiring musicians trying to find their unique sound in today’s music landscape?
I’d tell people to just trust in your taste. If you have good taste you’ll probably make cool stuff.
Finally, what can fans look forward to in the future, both for the remainder of your current tour and beyond?
Be ready for my next record. It’s my favourite one yet.
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Photos Credit: Ian Kline
